The Film Baby Film Analysis: An Astute Depiction of Queer Brazilian Survivors Adrift in the System

Channelling the metropolitan unease and pulsating life of São Paulo, Marcelo Caetano’s gripping drama centres on those who live on the fringes of an ever-changing metropolis. Fresh out of juvenile prison, 18-year-old Wellington (the actor João Pedro Mariano) finds himself at a crossroads; left behind by his parents, the wide-eyed young man seeks comfort in the arms of others.

On an evening out with his lively group of queer and non-binary friends, Wellington crosses paths with Ronaldo (actor Ricardo Teodoro), a strapping, magnetic hustler more than twice his age. Shrouded in the flickering glow of a neon-lit porn cinema, their initial encounter is intimate and charged, with an edge of danger. Ronaldo quickly introduces Wellington to the underground scene of prostitution and selling drugs.

A Study of Understanding Rather Than Sensationalism

The director portrays Wellington’s new life of crime with compassionate understanding as opposed to as a sensationalist cautionary tale. Now using the alias Baby, he enters his commercial trysts with brash fearlessness and endearing innocence. To his clients, Wellington offers more than his youth and his body, but also fleeting acts of kindness.

In the hectic energy of São Paulo, filled with bustling alleyways and brightly painted facades, there’s a deep-seated solitude, as unmoored souls grasp at one another for fleeting joy.

"The streets can be riddled with risk, yet they are where they can forge familial bonds, too."

A Complicated Dynamic of Affection and Power

Ronaldo is both a lover and a protective father figure to Wellington, but their relationship is derailed by envy and economic precarity. Dangers posed by nefarious characters in the criminal underworld pale in comparison to the dread of institutional observation and jail time, represented by the looming presence of police officers in the area.

Baby is particularly impactful as an astute portrait of the lost people who have fallen through the cracks the system. The film functions as a moving examination into making ends meet, non-biological kinship, and the pursuit of identity within a demanding urban landscape.

Lisa White
Lisa White

Lena is a freelance journalist specializing in Dutch urban culture, history, and community stories. She has been reporting on Tilburg for over a decade.